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Empathy is the main thing, putting yourself in somebody else's shoes and trying not to judge.
Keira Knightley
I see a pair of shoes I adore, and it doesn't matter if they have them in my size. I buy them anyway.
I think fashion is like putting on armor. I like that aspect of it, but it's not something I want to think about every day.
I don't think that you can fake warmth. You can fake lust, jealousy, anger; those are all quite easy. But actual, genuine warmth? I don't think you can fake it.
Beauty is everywhere. And my photography came naturally without any particular inspirations growing up.
If only I wasn't an atheist, I could get away with anything. You'd just ask for forgiveness and then you'd be forgiven. It sounds much better than having to live with guilt.
I think it doesn't matter where you're from, we all need a bit of romance.
I'm obsessed with shoes. I must have hundreds of pairs...That reminds me- I need to go shopping!
It's an interesting thing when you discover something about yourself. To go: 'Wow, I'm not the person I thought I was. I'm in the middle of something and I can't actually deal with it.'
I don't want to deny my femininity. But would I want to be a stay-at-home mother? No. On the other hand, you should be allowed to do that, as should men, without being sneered at.
It's a difficult thing when you try and make a film of a book that you really love. You have about two hours to tell the story, and it's never going to be enough.
I think women's bodies are a battleground and photography is partly to blame. Our society is so photographic now, it becomes more difficult to see all of those different varieties of shape.
In the movie, you're moving, you have personality, you don't have to be great looking.
I find it difficult to see the romance in digital.
I do think that acting is such an unpredictable job, and you're away a lot. If you're dating somebody outside the industry, it can be hard to understand that.
Envy is the last thing that my parents feel.
I don't quite understand what Tolstoy's actual personal view of Anna is - whether he likes her or hates her, whether she's the heroine or the antiheroine.
Bigger films are more difficult because the number of people is so huge.
I think quite often when you have a hell of a lot more money and time, as you very much do on a big studio film, you don't necessarily have to make the decisions right there. You can always goback and reshoot it.
A lot of times in cinema today the women are overly sentimental, so I constantly try to do the opposite. I like strident women.
It's good to know that other people think differently, and that's what makes the characters interesting.
I'm doing a film now with a lot of guys as well, so at the end of that I will be growing a beard.