I grew up with an Apple 2E - I had a deep, emotional attachment to that machine - and I loved doodling.

Eventually, I just couldn't imagine myself being in a cubicle for my entire career.

I was really worried that sitting at home by myself in front of a computer was going to make me crazy.

There's bleeding between age groups in terms of reading material, and there's bleeding between media. So there are books that are clearly comics and books that are prose, and then there are these books that are kind of in-between.

I would hope that maybe math teachers could use 'Prime Baby' as a way of establishing an emotional connection between students and numbers.

I noticed that when my daughter was born, my son really, really liked her. But then as she started getting older, and as she started crawling around our house and touching different things that were his, sibling rivalry issues started appearing.

Writing for myself and writing for another artist are two very different experiences. When I handle both the story and the art, I have full control. I can endlessly tweak every word and every line.

The premise of 'Secret Coders' is reminiscent of 'Harry Potter.' An intrepid band of tweens stumbles upon a secret school, only instead of teaching magic, the school teaches coding.

We're afraid of writing characters different from ourselves because we're afraid of getting it wrong. We're afraid of what the Internet might say.

Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African Americans working in American comics.

I think every time you work with another collaborator, there's an adjustment process where you figure out the other person's strengths, and that has definitely happened for me.

Like all of us, I don't think Facebook is 100% evil, but there are aspects of it that move towards evilness. It's true of all the major Silicon Valley companies, that there are aspects to all of them that move towards evilness, but I don't believe they're 100% evil.

Any superhero, regardless of how different they are from Superman, recalls Superman in some way. They're either pushing against Superman or reflecting Superman; there's something about them that comes from Superman.

When I got the job with 'Superman,' it felt like somebody threw me into the ocean. I was just trying to figure it out, to figure out how to tread water. Lucky for me, I'm part of a great team.

I was a superhero fan in the '90s, so I'm definitely familiar with John Romita, Jr. In fact, when I was in high school, I would go to local conventions and line up and get his signature.

I was a huge fan of the Bruce Timm animated series and, of course, the live action 'Lois & Clark' series. I watched that when I was in college.

It's just nerve-wracking in general to write 'Superman,' right? I'm a life-long superhero fan, and he is the character that kicked off the entire genre.

When 'American Born Chinese' started getting a lot of attention, I freaked out a little bit because I realized that up until then I had just been doing comics by following my gut. I didn't really know much about plot structure or anything; I kind of just followed my gut.

When I was growing up, I did go to the arcade. We had a neighborhood arcade, and my friends and I would go fairly regularly.

I think, pretty much like everyone around my age, I grew up playing those classic video games. I wouldn't say I was addicted to them, but I definitely liked them.

I love hearing people who are smarter than me talk about my comics. It makes me feel smarter.

I kind of just write what I like to write. I'm thankful that readers of different ages seem to connect to my stories. I don't consciously think about age demographics when I'm working on my comics.

'Shadow Hero' was my first superhero story. I don't know why it took so long.

'Shadow Hero' was a dream to work on.