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In my classroom, I would start my lessons with a quick review of an old topic. Then, I would introduce a new topic. Finally, I would give my students a problem to solve on their own, one that would reinforce what I'd just taught.
Gene Luen Yang
I wanted to make an explicitly educational comic that taught readers the concepts I covered in my introductory programming class. That's what 'Secret Coders' is. It's both a fun story about a group of tweens who discover a secret coding school, and an explanation of some foundational ideas in computer science.
In traditional Asian arts, the word and the picture always sit next to each other. I have an aunt, a Chinese brush painter, who told me that when you do a Chinese brush painting, you have to pair the image up with some poetry.
I think a lot of the things in my life that I become most passionate about, and most excited about, are all from comics.
I minored in creative writing in college, and I've played with the idea of doing something more hybrid, but comics are my first love.
Superman has been around for so long; he's been around for, what, eight decades now? And he goes through these different eras where different aspects of who he is get emphasized.
To be able to write 'Superman,' to be able to work with the legendary artist who is John Romita Jr., I signed on as soon as I could.
I finished 'American Born Chinese' in 2005, so after that, I started actively researching the Boxer Rebellion.
During the Cultural Revolution, the communists came in, and what they wanted to do was eradicate all sense of traditional Chinese culture.
I work at a high school, and we have an anime and manga club.
If I'm writing about a modern-day suburb, there's going to be details of the home and furniture, and if I'm writing about a historical period, those details, those pieces of the world are going to be there as well, but they'll be simplified, because I'm cartooning it.
I talk about religion because it's one of the ways human beings find power and belonging. Religion is more than just that - I think faith traditions give us ways to talk about experiences of the numinous, too - but power and belonging are a big part of it.
When I looked into the lives of the Chinese saints, I discovered that many of them had died during the Boxer Rebellion, a war that occurred on Chinese soil in the year 1900.
I general don't color my stuff - I'm pretty horrible with color. Usually, I'll get one of my cartoonist friends to help me out.
'Boxers' was more time consuming simply because it was longer, but 'Saints' was definitely harder. I think it's just hard to talk about faith in general.
I got these big coffee table books about Chinese opera from the local library, and I loved looking through them. I loved studying the intricate costumes and figuring out how to 'cartoonify' them.
I've tried to write from my own understanding of identity in all my comics, whether it's about superheroes or historical conflicts or monkey gods.
My experiences growing up in both a Chinese American household and the Catholic Church define much of who I am.
In my research, I learned that the Boxers' kung fu wasn't all that formalized. The vast majority of them didn't belong to some age-old martial arts tradition. They were basically poor, starving teenagers doing the best they could to figure out how to fight, relying more on their mystical beliefs than formal training.
I majored in Computer Science at U.C. Berkeley and worked as a software developer for a couple of years. Then I taught high school computer science for over a decade and a half in Oakland, California.
Religion and culture are two important ways in which we as humans find our identity. That's certainly true for me.
Immigrant parents dream that their children will find a place in their new home, and they willingly suffer hardships in service to that dream. That was certainly true of my parents.
Comics are such a powerful educational tool. Simply put, there are certain kinds of information that are best communicated through sequential visuals.
I grew up on monthly comics. My closet is full of monthly comics. I've always wanted to do a monthly comic, and while I've had a couple of offers, the timing has never worked out. Most superhero comics come into the world as monthly series, so we wanted the same for 'The Shadow Hero.'