At night, I love dressing up. I love putting on an outfit.

Now I can walk into a room full of people I don't know and do my job. That's quite a massive thing to learn, I think.

I never did a dirty armpit. You can look dirty, but you can't be dirty.

For makeup, a bit of blusher - what you call bronzer - a bit of an eye, and an eyelash curler.

I own a Hangman jumper, which looks like a scarf, but that's what it's called. It cost a fortune, but it was worth it.

I always go to sleep on the plane. Then I try and stay up whenever I get where I'm going to and get straight into the time zone I'm in.

I was doing shows and flying economy, and nobody ever fed me. Or I'd be staying in hotels so cheap that by the time I'd get in, there wasn't any room service. I didn't eat for a long time. Not on purpose. You'd be on shoots with bad food or get on a plane, and the food would be so disgusting you couldn't eat it.

I'm always thinking, 'My goodness, I got booked again!' So I am really happy to still be working.

My favourite flowers are English country roses - I had a bouquet of them for my wedding.

I had a nervous breakdown when I was 17 or 18, when I had to go and work with Marky Mark and Herb Ritts. It didn't feel like me at all. I felt really bad about straddling this buff guy. I didn't like it.

I lived in New York for seven years, although I was always in denial about it. Even though I had an apartment there, I always pretended I was just visiting. I do love New York. But I'm a Londoner at heart.

I'm uncomfortable publicizing myself as a model. I can only say over and over again, 'That's what I do,' and let people make fun of me.

I don't think my daughter wants to see me on the toilet. Lila has seen me nude.

Americans are really obsessed with their teeth being white and straight, aren't they? I saw this little girl the other day with one of those whole head braces. Elastic all the way around! How traumatizing for a child to have to wear one of those! You look like a monster.

I was 14 when I started modeling. At the end of that first day my mum said, If you want to do this, you're on your own because I'm not traipsing around London ever again like that. It's a nightmare.

My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.

I make jam, and oh my God, it is so delicious.

You go to a show, and there's no food at all, so if you're doing shows back to back, you can forget eating. I remember standing up in the bath one day, and there was a mirror in front of me, and I was so thin! I hated it. I never liked being that skinny.

I have a dress-up chest at home. I love to create this fantasy kind of thing.

Jam! I love my jam. I've just had a batch of it come through, I've been making it.

I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.

I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.

I didn't really have a mentor, but I have always definitely been inspired by the '70s - the Stones, Patti Smith, Anita Pallenberg.

At a shoot, I'm really aware of everything. When they do makeup, sometimes I can't see what they're doing, but I can feel it. I know what I look like, even when I can't see what they've done. I know how to compose myself.