I always had an appreciation for diverse musical styles.

There is nothing like the indignity of not fitting into a roller coaster.

It's funny: wrestlers and comics bond over remembering their best shows and their absolute worst shows.

I'm glad I had a chance to see great music played up close and live. In a way, that's what I hope my show does. It's almost like an acoustic evening with Mick Foley.

As a halfway decent college DJ, I had been exposed to some great progressive stuff and always took pride in unearthing musical gems.

As great a spectacle as WrestleMania is, there's something to be said for seeing a guy you like telling stories from the heart from 20 feet away.

The idea of standing five feet away from Norah Jones and listening to her sing Neil Young's 'Down By The River' was just phenomenal. I compare that to what my kids know of at a concert, which is sitting in a stadium and watching a huge screen.

When people see my show, they may not laugh out loud as they do with some of the classic comedians, but they do enjoy it. I regret that I called it comedy to begin with; I should have called it 'An Evening With' or put it down as spoken word. But the emphasis is always on funny stories.

I think I had four concussions throughout my career that were diagnosed, and I guess that I've had seven more. But the fact that three of them came in a four month span when I was making a comeback in 2004 is a little bit scary.

I don't advocate any child following in their parent's footsteps when their parent's footsteps are as crooked as mine are.

I tell people the most important move they can make is not in the ring. It's taking the time to get to know Mr. McMahon.

President-elect Trump wasn't my choice, but I'm going to be like Dave Chappelle, and I'm going to give him a chance - but I think there are people out there with legitimate worries.

A joke bombing on stage doesn't bother me, especially if it's intended to bomb.

Mother Nature and Father Time have not been happy with me.

When Dee Snider and I get together for breakfast, it's just two Long Island guys hanging out.

You can't satisfy everybody. If you do, you're probably doing something wrong.

I had an amazing teacher, who was Burmese, and she was living in Paris at the time, and she is one of very few who doesn't actually receive a credit in the film because she still has family over there.

I think that learning Burmese has to have been one of the most challenging things that I have had to do for a movie.

As an actor, you are always looking for roles that will challenge you, and when I came upon Aung San Suu Kyi, it wasn't just about that but also about stepping into the shoes of someone who means so much to millions of people.

'The Lady' is an incredible love story about how a family was cut off from each other, about sacrifice, about the ability to put the needs of million of people before your own.

It's very important that I'm approaching a character that I've either not played before, or I can give it a different take.

If you were ever a ballerina, you know the pain: just to be able to look like it's all so light, but when they take off their shoes, it's all bloody.

I have very supportive parents who said, 'Go and do what you want to do. Home is always here for you, and if you don't like it out there, come back. You can always do something different.' So when you have an option like that, you are able to choose roles or choose the things you want to be in.

With an award like the Asian Film Awards, we've sent a message saying that 'Asian Cinema is here, it matters, and more importantly, we are all part of the same fraternity!' The AFA is truly, then, an award for Asia, by Asia.