Before you get into the mind, you have to inhabit the physicality. Body language is a great way of speaking.

It's so important for me to do my own stunts. The sense of achievement is so immense. But the studios don't want to take the risk.

On 'Far North,' we were always aware of being at the whim of mother nature. She's the biggest star in the film.

In a movie, that's the only time when you're allowed these kind of fantasies to be lived. Being able to look so cool and be able to fight five bad guys and take them down. When can you do that?

Sometimes, being a girl away from home - it gets to you.

I'm terrible on the phone. I just text my friends and family and say, 'Hey, I'm in town.'

The beauty about being a producer is you sit there, and you explore ideas which become a passion, which slowly becomes a reality.

As an actress, you know there are limitations on what you can do creatively.

You never know whether the subject matter will click with the audience at that particular time. I wish there was a formula, you know, 'That plus that equals success.'

Every time you do a movie, it's important for your career, your reputation.

'Crouching Tiger,' of course, was a very dramatic role for me, and the fighting was very serious.

The Asia and the Pacific region is facing an epidemic of road death and injury, but we also have innovative Asian road safety solutions.

You have to have integrity.

There is no guaranteed formula. And that's one of the interesting things about filmmaking. You could put $115 million in, and it doesn't guarantee success.

As a producer, what you want to do is make the next hit. But you also want to lead the audience into wanting to watch different movies. You have to vary your content.

When a movie becomes very successful, it's automatic that people will start thinking a sequel, a prequel, a quel-quel.

I always thought of myself as James Bond.

I stretch and do my squats when I brush my teeth.

Let's empower men and help them take a stand to stop acts of violence against women.

We always see Aung San as a strong, tough woman. There are two stories running in parallel. You see the contradictions between the East and the West, and you see someone who does mundane and normal things - someone who's supposed to be a housewife - and then someone who's become important and imprisoned.

Beauty shouldn't be superficial and should come from within, and your eyes will tell the story.

My mother is a very big cinema buff, so as a kid, we watched a lot of Indian and Malay films.

India is a great talent pool of actors. I see Freida Pinto making it big in Hollywood, and I am sure many others can also make it.

I have done many films across the globe and would love to be a part of Bollywood, but the script must have a strong character for me.