I still do standup.

I like doing film, you know, single-camera.

You're only as good as your last joke, your last show, your last whatever. The confidence is there, but underneath, there is always insecurity.

I'm aging, and the world is seeing it.

I don't get sick.

I like a good cry - it's cathartic; it's a release. But I've never been able to be so free to do that on camera the way some actors can.

When I started out, Jay Leno used to say you're not as good as you think you can be until at least your sixth year. I was like, what the hell is he talking about? 'Cause I was in my third year, and I thought, 'I got this.' I kept videos of myself performing, and in my fifth year I watched my third year and realized he couldn't have been more right.

Every backstory involves my father. I remember hearing Gary Oldman talking about backstories and saying, 'I got to stop using my father...' And I feel the same way. I don't know. What I come up with always involves some element of this son trying to prove himself to his father.

If golf wasn't enjoyable and there wasn't a lot of humor and enjoyment, even though the game is so frustrating, you would wonder why you put yourself through it.

I still feel like an immature idiot inside, but I look in the mirror and - as a friend of mine once said- this old guy keeps getting in the way.

Doris Roberts had an energy and a spirit that amazed me. She never stopped. Whether working professionally or with her many charities or just nurturing and mentoring a green young comic trying to make it as an actor, she did everything with such a grand love for life and people, and I will miss her dearly.

I don't want to be a spokesman for family values, but that's the way my standup is perceived.

When you go to standup, there seems to be a common denominator of some form of need or want for validation from the audience that maybe you were lacking as a kid.

I have some classes in accounting, but I don't know anything about accounting. I - you know, when my accountant tells me all the things he does, it's a foreign language to me.

My favorite band - and Bobby Cannavale and Terry Winter have already made fun of me for this - is Chicago.

Each day it's like: 'How many more days am I going to feel young and vibrant? I feel young and vibrant now, but I also feel the aches and pains a little bit.

I'm a little different from the average dude because I'm on high-def TV now.

I'm from New York.

I want to do well and I want to fit in.

People are going to see both of us and think it's an Abbott and Costello kind of thing. It's not an easy switch. It's not an easy transition from TV to film.

Right after 'Raymond' I had a world-is-my-oyster attitude, but I found out I don't like oysters. I had this existential emptiness. 'What is my purpose? Who am I?' I had a big identity crisis.

I remember I did the movie 'Eulogy,' and there was a dramatic moment in it. It was pretty heavy, and I went for it. It was... I didn't feel that comfortable doing it.

I don't watch 'Mad Men.'

My wife gets all the money I make. I just get an apple and clean clothes every morning.