Besides boutiques, I love H&M. Affordable and adorable.

I have such a crush on Tony Robbins and his passion, empathy, and sheer talent.

When I was 15, I was scouted at the mall by Elite Model Management. I started to go to New York on the bus in high school, which was about four hours door-to-door from my hometown, until I moved to New York and lived in models' apartments all over.

My first audition was for a Dr. Pepper commercial.

The more messy women that we put on screen, that we put in books, the more women can feel represented and seen, then they can access their own stuff, feel it's okay, and then have the strength to speak out about things like we're talking about. About rising up.

The thing about Netflix is that you get more minutes in your episode because there are no commercial breaks. You have time to let things breathe and be quiet. You get to see an entire scene play out instead of just jumping halfway in.

I knew I could always work harder and be better and show I'm more prepared. I had a whole science to, like, how you have to arrive 17 minutes early to something. If you're 20 minutes early, that means you're too eager, but 17 minutes gives you time to, like, settle, sign in, use the ladies' room, have some water, and get comfortable.

When I'm shooting, that's all I do.

I am sarcastic and dry, but I also have a pretty huge zest for life.

When I moved back to New York, I saw a lot of girls knitting on the subway, and it had a bit of a comeback.

Different is good. Different is great!

My favorite face wash is Aveeno Foaming Face Wash, and I get it at CVS or Rite Aid. It's the best. It gets off makeup, but it's not drying, and you feel clean.

I think that the more comfortable and the more you rehearse - granted, I don't like to take the air out of a tire; there is a fine line - but I think the freer you are with your dialogue, for example, the more open you are to a good idea walking up to you.

I feel really fortunate that I've been given a lot of roles that were very different from each other. For me, variety is the key. I don't want to play the same thing over and over again.

I've always been very positive and very resilient.

With 'Jessica Jones,' I'm in almost every frame of the show.

I try to drink a lot of water and always moisturize. When my skin gets cranky, I use Proactiv to keep it clear. That stuff really works.

After 'Jessica Jones' came out, I started hearing firsthand from a lot of women who were so inspired by the character, who felt represented, who felt like watching Jessica on screen helped them in their own lives. Women are devouring content like that because everybody is complicated; not everybody is one thing.

A lot of actresses start out modeling because it's a great way to sort of get your foot in the door. That's all it is, though. They open the door, and you have to walk through it.

Yarn, patterns, and needle sizes have come such a long way since your grandmother's afghans. Creatively, there is just so much to get into, so much to play with. It's an amazing way to turn inward and get off your phone.

My favorite acting books are Stella Adler's 'The Art of Acting' and 'Sanford Meisner on Acting.'

'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.

I'm a creative person. I love to write, I love to act, I love to perform, I love to create things with my hands, so I do all of these things that are kind of like hobbies in a way. They're things that I love, so it's not like a work-life balance; it's just a work-life marriage.

Marvel is obviously a giant, global super-brand, so being a part of that is exciting because of the huge built-in audience and the appetite for it.