I always wanted to have sort of an alter ego.

I quite like walking out in my sweet new Balor Club jacket, popping my collar and being Mr. Cool.

I think everybody in WWE and NXT want to be involved in WrestleMania. I can huff and puff and push all I want, but that's something you just can't rush.

I didn't realize how much the paint was going to affect how I moved and how I walked. And it wasn't something that consciously happened. It was because the first time I'd done it was a Tokyo Dome show, I want to say in 2013-14, and I walked out there, and I was a completely different person.

The crowd down in Australia is always so energetic, some of the best crowds in the world to perform in front of.

I can honestly say it was the greatest decision of my life coming to WWE.

I'm not one for reading comments or reading what people say online because, generally, there's a lot of negativity.

When you go out there, and you're in the ring, honestly, half the time you forget what city you're even in because you're so focused on what you're doing and the task at hand.

I worry too much about the present to worry about the future.

It's almost like putting on a mask protects you from people's judgments and lets you completely flow freely, like, with all your aggression and our animosity against anything.

I'm going to look forward to the future as opposed to looking back at the past.

Balor Club is for everyone.

Everyone that watches wrestling as a kid dreams of being a wrestler for WWE.

I started playing soccer when I was 6 years old and started lifting weights when I was 16, so it's not like I never exercised.

I don't really like to think too far into the future.

With regards to the paint, I'm normally quite introverted and shy. I keep myself to myself, and I find that when I hide behind the paint, so to speak, I'm able to let myself go more and move more freely than I can without it.

I do enjoy a level of intensity that I bring when I'm the Demon, but it's a mindset that takes a couple of days to get into; it's not something I can do every day.

Just remember that when I went to New Japan, nobody knew who I was. And I've done okay.

We're all humans living on this tiny little rock, floating through space at, like, thousands of miles an hour. We should all just get along.

To go from a small wrestling dojo to the Performance Center was just mind-blowing. The sheer scale - I didn't think anything like that could possibly exist.

My parents have supported me everywhere I've went: U.K. to Japan, NXT.

It was a big gamble to come to WWE, and it was a big gamble to come to NXT. Honestly, the gamble paid off.

If I'm going to draw something, I don't know the day before what I'm going to draw. It's just very much an interpretation of how I'm feeling that day and what I think is the coolest thing in my brain at that very moment.

I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.